I'm never doing just one thing. Most days, I'm somewhere between writing a song and working through a strategy — and the two have a way of teaching each other things.
I've spent my whole adult life with music and marketing running side by side, not as separate worlds I switch between, but as two things that quietly make each other better. This is the long version of how that works.
I've been the girl in the band since I was barely out of my teens. It started with The Preons back in Seattle — scrappy, fun, my first real shot at being in a band, performing on their Pretentiousness of the Standard Model EP and playing the best house party I've ever, ever been to. From there I joined The Melody Unit in 2003, stepping in as girl vocalist right before we recorded Songs for a New American Century (2005) — a dreamy, space-pop record that picked up a review in SomewhereCold calling me "equally gifted and more sultry." I'll take it. After landing in Montreal, I joined Saola Rock in 2015, a project that leaned harder into the rock side of things — we put out one EP together, Easy Target.
These days it's just me, writing, producing and releasing as Darling, static: garage pop with a little attitude, built on 80s pop bones with a punk heart, heavily influenced by the Go-Go's, Pixies, Elastica, and Descendents. New songs are out regularly on all the streaming platforms — it's the most "me" thing I've ever made, and I'm having more fun with it than with anything I've done before. Like, ever.
Curious about the earlier stuff? Here's the SomewhereCold review, the Discogs entry and AllMusic page for Songs for a New American Century, and the Saola Rock Bandcamp if you want to hear where things were before Darling, static.
I got my start in advertising and copywriting back in 2004, and I've spent every year since then getting deeper into content and SEO. I've been Content Lead at Intel, Director of Strategic Content at CanIRank, and I'm currently with Scorpion, building strategy and visibility for regional home services clients. No b.s., real results, and I still genuinely like the work.
From SEO industry podcasts to a recent opportunity to speak at Google's Austin, TX HQ, I talk shop fairly often. I've also been quoted in places like The Wall Street Journal (2019 — yes, the one about underwear in an interview-prep piece; ask me about it sometime).
I used to spend a lot of my creative energy elsewhere, too: photography that showed up in spots like Tiffany & Co. and Strangers in Transit, the occasional voice-over gig, and — once, memorably — organizing a 200-person flash mob through downtown Montreal. These days, though, that energy mostly goes toward Darling, static.